Updated 01-14-2007; Added measured frequency response plots
Equipment: Radio Shack HTX-100 10 Meter SSB/CW Transceiver
Catalog Number: 19-1101On-air reports of muffled audio coupled with off-air confirmation of same led to a technical investigation of the transmit audio response characteristics of this radio. A cursory review of a few of the 'hacks' on the web (like a cap across the Mic Att stage) on how to 'cure' or mitigate this muffled audio response spurred me on to write this web page in order to point out EXACTLY what is taking place inside the HTX-100 to cause 'muffled' transmit audio AND what a proper 'cure' involves.
It also appeared, during testing, that the microphone was extremely sensitive; verily, this was born out during testing and the "A"-half of opamp IC3 was found to be operating very near open-loop gain!
Block Diagram
Below is a block diagram with the circuitry under scrutiny shown in red. In particular, the Microphone Attenuator Q24 (driven by ALC Control Q25) and the Mic Amplifier using one half of IC3 are the subjects of this webpage. Part of the "ALC" (Automatic Level Control) circuitry (shown in blue) as well as other circuitry are shown as they 'surround' and interface with circuity around, in, near, or share an opamp in IC3 with the Mic amp et al.
The Mic Amplifier, using the "A" half Opamp in IC3 delivers an amplified audio signal to the "Gilbert cell" active component Balanced Mixer, IC2. (Barrie Gilbert on the invention of "The Gilbert Cell".) The output of IC2 is routed through FT2/FL205; THIS is the filter that makes this radio.
FT2/FL205 is the *sharp* filter that defines the receive characteristis of the HTX100 as well as the ultimate transmit bandwidth (assuming subsequent RF stages are operated linearly and not into 'clipping'). Shortcomings in the selected component values of the Microphone Amplifier IC3, however, serve to severely limit the highs above 1500 Hz (as will be shown further below).
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Electronic Schematic Diagram
The following schematic fragment was excerpted from a scanned copy of the HTX-100 Service Manual found on the web here.In the following schematic fragment, the following color conventions were chosen to highlight key functions in the transmit microphone and ALC audio circuitry:
- Red, Audio/Mic circuit input - Blue, Opamp Output and feedback network - Green, ALC circuitNote that the majority of the resistors appearing in that badly drawn and confusing schematic are for bias; that is, they merely set the DC operating point of the two opamps that are resident in the NJM4558S 9 pin in-line package. Note also that only one of the two opamps inside the NJM4558S package device is used as an audio amplifier, the other opamp is used as a simple comparator/level-shifter in the transmit keying circuit.
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NJM4558/RC4558 Opamp
Below is the pinout of the NJM4558 IC. Note that this device is a member of the 4558 family of opamps from such manufacturers as Raytheon and Fairchild as an "RC4558" which is described as a "Dual High-Gain Operational Amplifier".The RC4558 integrated circuit is a dual high-gain operational amplifier internally compensated and constructed on a single silicon IC using an advanced epitaxial process. Combining the features of the 741 with the close parameter matching and tracking of a dual device on a monolithic chip results in unique performance characteristics. Excellent channel separation allows the use of this dual device in dense single 741 operational amplifier applications.Note that the NJM4558 in the "S" package has *two* Vcc pins; pin 1 and pin 9. In the annotated HTX-100 schematic fragment above, R104 (along with R105) provides 'bias'/sets that opamp's DC voltage operating point (via pin 4) by applying a DC voltage to the non-inverting input of the "A" half of opamp IC3, and furthermore, this connection is shown to be *through* IC3 to the +8V supply!
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NJM4558/RC4558 Opamp - Open loop frequency response
Compare the open loop gain in the chart at around 2 to 3 KHz (around 60 dB) to the gain of an NJM4558 in the actual Microphone Amplifier circuit as measured further below. It appears the 4558 in this app was running very near open loop, save for the negative feedback contributed by the 560 pF capacitor.
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Microphone Amplifier - AC Circuit analysis
The following schematic was entered to determine the AC characteristics of the HTX-100's microphone/transmit audio amplifier frequency response.
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The following schematic was entered to determine the AC characteristics of the proposed improvements to the HTX-100's microphone/transmit audio amplifier; note that two resistor values and one capacitor value were changed per a chart to be found further down below.
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Analysis of existing circuit
- Measured Gain (at peak): 56 dB (Av = 630) - Measured frequency response: -6 dB 165 Hz Peak 530 Hz -6 dB 1550 Hz -10 dB 2500 Hz - Modeled frequency response
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Circuit Changes - new component values
Circuit value changes to improve high frequency response and modeling of new circuit values as shown below:Reference Old New Designator Value Value ---------- ----- ---- R96 470K 180K R98 100 330 C75 560pF 82pF
Analysis of circuit with new component values
- Measured Gain (at peak): 45.3 dB (Av = 184) - Measured frequency response: -6 dB 140 Hz -3 dB 250 Hz Peak 1250 Hz -6 dB 10 KHz -10 dB N/A - Modeled frequency response:
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Bench Testing
Test Software
The following plots/measurements were created using a freeware program called Speaker Workshop, Version 1.06. This program uses a full-duplex sound card to both a) create an audio stimulus signal for input to the device under test as well as b) receive the ouptut from the DUT to perform the simultaneous, real-time analysis of the audio signal.Using Speaker Workshop one is able to generate an audio 'tone' signal of either a single and/or simultaneous multiple tones, or perform a continuous tone 'sweep' of a network, speaker or device under test. In the tests below I sent the signal in the microphone jack on the HTX-100 and used the audio output from a SSB receiver with a really wide IF filter, a filter that considerably exceeded the bandwidth of the IF filter in the HTX-100 and/or the bandwidth of the signals under observation here.
The Speaker Workshop freeware program is available here: www.speakerworkshop.com/. First time users of Speaker Workshop ought to check out Speaker Workshop Manual since the use of this program really requires a tutorial for a fist-time user.
Tests
Multiple tones
In the pursuit of this project it was found that the best way to demonstrate the frequency response of a SSB radio's transmitter was to 'excite' the transmitter with several simultaneous low-level 'tones' (audio signals) on account of the multiple 'gain loops' that tend to otherwise "gain-control themselves": the SSB radio's transmitter ALC loop and the test receiver's AGC loop.
By using several simultaneous tones I could view the relative amplitudes of the several audio tones and see first-hand the relative 'flatness' without having to go in and set (manually control or set the DC level of) either the transmitter's ALC loop or the receiver's AGC loop.
Before - notice the significant roll-off from low freq to high freq of about 12 dB:
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After - notice the roll-off from low freq to high freq of only about 2 dB:
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Sweep
Performing a tone 'sweep' on this test setup, as alluded to earlier, did not point out the shortcomings in transmitter frequency response as the ALC loop tries to 'open' up the gain loop and increase the effective gain. This lead me to use the multiple tone technique described just above; the sweeps here are included just for the sake of being complete and to ward off any questions inquiring why I did not simply 'sweep' the transmitter to obtain it's frequency response.
Before - notice the amount of noise preesent; I actually found the ALC loop to be unstable with low-levels of input signal before I reduced the gain of the OP-AMP by the mods proposed in this report:
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After - notice the amount of noise is reduced. The iniital overshoot is a result of the input signal coming into the range of the bandpass of the ALC loop and the ALC loop's reaction as the input frequency rises above about 300 Hz:
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On-air testing
In-circuit test of new values; in situ voice quality observation by other operators.- Indications are that the effort expended resulted in improvements, good reports are now had.
Parts location - changing the components
The area in blue below contains the Microphone Amplifier and Mic Attenuator/ALC circuit components. The area in blue is shown in more detail in an excerpt further below.
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The components outlined in red are the components changed out to improve microphone amplifier frequency response. To gain access to the rear of the HTX100 Main Board and change these components the PLL Assembly, located under the Main Board, will have to be temporarily removed; this is an easy task involving four screws and three connectors: two multi-wire connectors and one coax connection.
After the PLL Assembly is removed the rear of the Main Board is easily accessed to allow desoldering and removal of the orginal components and installation of the new components.
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Link summary:
- Open-loop gain - practically, the gain is so high that the output will be driven to Vcc or Vee for any appreciable difference between the inverting (-) and non-inverting (+) inputs.
- Negative feedback or closed loop gain - feedback is used to 'stabilize' or set the gain to a useful, fixed value that is relatively independent of the opamp's open-loop (and device fabrication and process yield dependent) gain figure.
- The "Gilbert cell" mixer.
- Barrie Gilbert on the invention of "The Gilbert Cell"
- HTX-100 Filter comparison with an HR2510 radio.
Over the years, I have talked to several people who have owned both the HR2510 and the HTX100. The comment inevitably comes up that the HTX100 has a 'better receiver' that the HR2510. But how can this be? Everyone knows that the 2510 and the HTX have virtually identical RF sections.When I finally managed to acquire an HTX100 last year, I decided to investigate to try and prove or disprove this notion once and for all. Examination of the schematics for both radios showed that the RF sections were indeed almost identical. I reasoned that the 2510, being an 'allmode' radio with AM included, may use the common CB radio design practice of having a wider 'compromise' IF crystal filter to improve the RX audio response on AM. The center frequency of both filters is 10.695 MHz, so assuming that the carrier oscillator signal is placed on the slope of the filter, a check of the carrier oscillator alignment frequency for USB should tell us the approximate bandwidth of the filter. Sure enough, the USB carrier oscillator frequency is different in the two radios! Shown below is a chart of the carrier oscillator frequencies for both rigs, with a LSB value extrapolated for the HTX100.
As can be seen from the graph, the HTX filter is indeed significantly narrower than the 2510 filter. (Visit this site to view graph.)
- HTX-100 Service Manual available here.
- 4558 opamp history discussed about half-way down in this thread.
- What exactly is an Op-Amp?
The term 'op-amp' was originally used to describe a chain of high performance dc amplifiers that was used as a basis for the analog type computers of long ago. The very high gain op-amp IC's our days uses external feedback networks to control responses. The op-amp without any external devices is called 'open-loop' mode, refering actually to the so-called 'ideal' operational amplifier with infinite open-loop gain, input resistance, bandwidth and a zero output resistance.However, in practice no op-amp can meet these ideal characteristics. And as you will see, a little later on, there is no such thing as an ideal op-amp. Since the LM741/NE741/ľA741 Op-Amps are the most popular one, this tutorial is direct associated with this particular type. Nowadays the 741 is a frequency compensated device.
Let's go back in time a bit and see how this device was developed.
The term "operational amplifier" goes all the way back to about 1943 where this name was mentioned in a paper written by John R. Ragazzinni with the title "Analysis of Problems in Dynamics" and also covered the work of technical aid George A. Philbrick. The paper, which was defined to the work of the U.S. National Defense Research Council, was published by the IRE in May 1947 and is considered a classic in electronics.
The very first series of modular solid-state op-amps were introduced by Burr-Brown Research Corporation and G.A. Philbrick Researches Inc. in 1962. The op-amp has been a workhorse of linear systems ever since.
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Copyright notice: The author, Jim Poll, ARS WB5WPA, would like to retain any and all rights to images, text or other creative works (including pictures, sketches, hand or machine drawn art) appearing on this page. Also, should derivative works be created based on this work it is asked that reference or cite be made to same in the 'references' section of said derivative works.